A blog about hip-hop, rap music, its trends, and an overall thought about the music an culture, without indulging in gossip. A real set of opinions and discussions, not based on the popular sentiment, but examining and challenging it.

Wednesday, August 6, 2014

Independent Wednesdays



This week starting off with a song I think is kind of simple in both the topic and the production but that is effective as
a song that lets people know that things happen. It's not extra aggressive but Scotty Flippen's "Get it Off Ya Chest" is an effective song that should be able to find a place on college radio somewhere. It's enough to intrigue but not to "sell" me on him Per se.




Now I'm not normally the type who wants to hear some New York dudes going in about their city cause I'm not from there and it annoying in a lot of ways. It's generally alienating for everyone else, but Req cartier, Wordsmiff, and Frank Ramz come through with a banger titled "New York".



Listening to Req's music, it's the type of lyrics and tracks that could actually bring the big apple back unlike Troy Ave. He has a good voice, flow and lyrical ability with a knack to pick successful tracks to go along with it. While he has a lot of ability and talent Req could use a little bit of direction to help manipulate and channel his potential star power.


Also from NY Cash Bilz is alright but not on the level of Req Cartier. He could develop some more lyricism and originality in lyrics, he's more straight forward but he isn't bad. He could use some better production overall some of his tracks lack energy and he doesn't attack them the way I would think would make them interesting. However, Other than his submission which was a 'No Flex Zone' freestyle, he has a joint called "Murder, Murder" which I like as well as "Back to Basics".




Overall he has some skills and is worth a listen or two. As usual if you hear something you like - drop a comment below so these artists can see what they're doing right.

Wednesday, July 30, 2014

Independent Wednesdays

I'm back! Mostly because the wackness moved out of the way and I found some lil young dudes put some music in my gmail that isn't maybe the greatest thing as far as lyrics go, but Young Brizy from Jersey came with the Meek Mill style energy. I mean I feel like when he could have been in the hot 97 Roc-a-fella freestyle with the raw energy and flow. He also has some hooks to go with it.

This first joint he sent me was raw but it was still real cool.


I also liked this other one which seems a bit ratchet called "Hittas".





I can feel that there is talent there he just needs some direction. In the same vein Little Rock Rapper, Lil Futa sent me his links and this kid is right in the pocket for the young hip-hop market. The first track I listened to "what it Is" is some general radio flavor from today but it's cool. However listening further into his catalog we find some more up-north style raps and lyricism that I was totally not expecting. So I suggest you take a listen to what it is then go through and see what else catches your attention from Futa.





Wednesday, July 23, 2014

Album Review- Common- Nobody's Smiling

This is a prescient yet sad time to really talk about Common and his latest album considering Chicago just had another awful weekend. This is the kind of stuff that has inspired the latest release of music from the rapper/actor who used to go by Common Sense. One of the unique things about this is how Common is reaching back and connecting the new generation of Chicago rappers by featuring them on his album cover. It's the theme overall for the people who grew up fans of Common to try and connect them in a way to the trials of today's urban youth. But with all of that said, let's talk about the music, here is my review of Common's new album, "Nobody's Smiling".



The album starts off super strong with "The Neighborhood" which features singer Cocaine 80's and Lil' Herb, one of the new generation of Chicago rappers who are coming straight out of the trap and struggle and I will admit, if he has this kind of skill I will have to check out more from Herb because he fits in seamlessly with the theme of the life in the Chi right now with Comm who is known as one of the supreme wordsmith's in the game. The momentum stalls a bit for me on "Diamonds" which has the unfortunate reality of featuring Big Sean and his garbage. Common does his thing though and I like the production but the hook is mediocre and then Sean gets to spit some actual bars.


Chanting drums that channel an African Tribal nature drive "Blak Majik" with Jhene Aiko but I disdain the hook which reminds me of something from Yeezus. "Hustle Harder" with Snoh Alaegra and Dreezy is alright as Common talks about a woman who is holding it down and going to get it herself. Dreezy finishes up for the ladies and it's cool. The title track "Nobody's Smiling" has a heavy bass with synthesizer element to it with a simple but effective hook and it's fire. Malik Yusef gets his chance to shine with his poetry at the end of this song but I really wanted to hear more bars from Common over this track.


"Speak My Piece" which uses a sample from the late great Notorious BIG, is vintage Common and while it has a retro sound to it, it still transitions from "Blak Majik" easily in what could be seen as a traditional single that can get radio and club spins. It somehow reminds me of a house party with it's energy and rhymes that sound almost freestyled enough that you know it was an intentional delivery. Elijah Blake sings the hook on "Real which is just a run of the mill song to me. Album filler, but after that comes the fire single that features Vince Staples, "Kingdom". Common spits a verse first from the perspective of a killer and what his story was and how he ends up in jail, while the second is from the viewpoint of a victim as he ascends after his death. Vince Staples comes through with the reality right now raw perspective of youth. Everything on this track works well from the bars to the choir chorus and the track.




"Rewind That" is a trip into the past and history of Common musically and also what happened in his career with his questions in his life and the results. He talks about regrets with No I.D. whom he has reunited with at DefJam and on this album. He also talks about dealing with J. Dilla and some of the sort of regrets he has as well as how he will keep his name and history alive. Vince Staples joins Common again on "Out on Bond" a decent song where they end up spitting and it is like an older song from the late 90's for modern times. Then there is "7 Deadly Sins" where Common gets a bit gritty talking about what can get you killed in the streets. "Young Hearts Run Free" with Cocaine 80's is about growing up overall in multiple ways.

Honestly this is probably the best album of the year so far. While I don't think it is Common's best overall work it isn't a detriment to his catalog either. It emphasizes his ability to truly spit and also remain poetic and true to himself. As a bridge to the younger generation it works because I'm now interested in Vince Staples and Lil' Herb thanks to their appearances on this album. While it doesn't break new ground, this is a solid, and mature hip-hop album. Not full of pop music and not too esoteric or spiritual in a way that becomes off putting, it's very grounded in reality and the production throughout is solid with varied sounds that all feel like they belong together.

Rating: 4/5

Thursday, July 3, 2014

Album Review- Ab Soul - These Days

Now I'm normally on an album for a review almost as soon as an album drops if not before but I haven't been able to really dig into this Ab Soul album the way that I need to and I have listened to it enough to know it's at the very least a decent album. Ab Soul is yet another member of the West Coast powerhouse known as TDE which includes Jay Rock, Kendrick Lamar, and Schoolboy Q who have all released albums. While Ab Soul had been anticipated, the actual release date of the album was closely guarded until it dropped. Now that it's out here is my album review of "These Days".



The album starts off with a title track that features Sza, another labelmate, and though it isn't called 'These Days' the phrase is an important refrain in what is titled "God's Reign". On the track he puts forth what kind of artist he is, introspective yet still centered with street common sense and logic. On the song he talks about dropping knowledge as well as bucking some conventions. Schoolboy Q features on "Hunnid Stax" which is about the chase for the paper. "Twact" takes things to the Bay Area with Jinx and Short Dawg on some living and partying Hyphy flavored music.

"Nevermind That" with Rick Ross has a slow tempo and Ab-Soul uses a variety of flows and techniques on the song before Ross drops a decent verse. The song is unorthodox but it's still slick and laid back. Lupe Fiasco and Nikki perform on "World Runners" which shows Ab's diversity and ability to cover different areas of modern hiphop. It's of course a thought provoking song encouraging accomplishment and not settling. Then things get dark on "Stigmata" with Action Bronson and Asaad.


Solo, Ab Soul does have songs like "Tree of Life" which samples Eric B. and Rakim's 'Paid in Full' and gives it a new spin as Ab spits about traveling around to get the money to enjoy life. "Dub Sac" is about how things haven't changed for Ab. "Just Have Fun" is a smokers anthem. I'm not feeling "Sapiosexual". "Closure" is cool, and there is also a Kendrick Lamar interlude where he drops some bars before the track turns into a jazzy throwback to the early 90's in hip-hop. Danny Brown and Delusional feature on "Ride Slow" which is a track that everyone won't just gravitate to but the bars on this song are serious. My dude Jay Rock gets his feature on "Feelin Us" along with Ravaughn on the chorus.


At the end of the day Ab Soul can really rap and he has some solid song concepts and it fits in with what TDE has brought us so far. Each album has fit together by being of a distinct personality yet they exist in the same world together. It's like a well done book. Now this is a good album in the way it's constructed and nothing is out of place or too weird but it's really gloomy and oppressive. It could use some type of balance or high notes and brightness (sounds like describing a plate of food)  because the album kind of swallows you into it. It is very moody and atmospheric and can be a good listen in certain circumstances but I couldn't see this getting to be in my regular rotation. However, in today's Ipod generation, the songs will be good scattered amongst the rest of your playlists.


Rating: 3.5/4

Wednesday, July 2, 2014

Independent Wednesdays

This week I'm opening up with another artist from what ahs always been a booming West Coast Independent rap scene with Julian Rothschild. Now I can tell you I'm not feeling his music as much because it reminds me a lot of the over use of auto tune I have witnessed because it's trendy. I actually think he might be better off cutting back off of that and using his regular voice more especially during the verses since it doesn't do anything much to add to them. Especially on his song "Not Coming Down" where he does some interesting things in the delivery of the second verse.

The song he initially sent, "Trendsetter" he uses his regular verse more and I like it a little bit better. The songs themselves aren't getting new ground but they are solid in the pocket of what is popular now.




Taking it in another direction is Es who has a more conscious mindstate and focus. His newest project, "Aspire to Inspire" speaks volumes in the title alone. Now a lot of times you can have guys who have this angle and be have grimy production that can seem dull at times. Es doesn't fall victim to that with nice tracks that provide a balance between being entertaining themselves and allowing himself to put in that work. My favorite song on an early listen might be "For The Loot"



Es wastes no time or song with frivolous lyrics so if you like lyrics, and some consciousness and just quality songs, check out Es and then go to his bandcamp and drop a couple of dollars off to him to thank him for his music.


Third up this week is Ynga (Young-ah) is from the Bronx and currently lives in Worcester, MA and the joint he sent is called "Livin Too Wild" and it's off of an upcoming project he plans to talk about ' about anarchism, sex, drugs  and some dark life moments he's experienced ' on a project he calls "Wasted Youth". Now his soundcloud only has two joint but livin Too Wild is pretty tough. I like the beat how he spits and attacks the track.






The other track I heard sounded more like Drake and Wayne so I wasn't feeling it as much because it wasn't unique enough from a new artist to really stand out but it isn't a bad song from that perspective.